Sabtu, 22 Desember 2012

[L672.Ebook] PDF Download The Metaphysics and Ethics of Death: New EssaysFrom Oxford University Press

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The Metaphysics and Ethics of Death: New EssaysFrom Oxford University Press

The questions that surround death--Is death a harm to the person who dies? Should we be afraid of death? Can the dead be harmed? Can they be wronged?--have been of widespread interest since Classical times. This interest is currently enjoying a renaissance across a broad spectrum of philosophical fields, ranging from metaphysics to bioethics. This volume is the first to bring together original essays that both address the fundamental questions of the metaphysics of death and explore the relationship between those questions and some of the areas of applied ethics in which they play a central role.

The essays in Part I of this volume examine some of the Classical approaches to fundamental metaphysical questions surrounding death, addressing in particular the question of whether a person's death can be a harm to her. The theme of the value of death is continued in Part II, with essays addressing this issue through a more contemporary lens. The essays in Part III address the related but separate issue of whether persons can be harmed by events that occur after they die. Finally, the essays in Part IV apply the metaphysical issues addressed in Parts I through III to various issues in bioethics, including the question of posthumous organ procurement, suicide, and survival after brain injury.

Written by some of the most prominent philosophers working on these issues today, the essays in this volume showcase the state of the art of both the metaphysics of death and its importance to many areas of applied ethics.

  • Sales Rank: #2800706 in Books
  • Published on: 2013-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.10" w x 9.20" l, 1.10 pounds
  • Binding: Hardcover
  • 288 pages

Review
Readers will find much of interest in this volume. J. A. Kegley, Choice,

About the Author

James Stacey Taylor is an Associate Professor of Philosophy at The College of New Jersey. He primarily writes on autonomy theory, and the metaphysics of death, as well as on how these theoretical issues relate to matters of practical ethical concern.

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Rabu, 19 Desember 2012

[Q598.Ebook] PDF Download The Seven Day Circle: The History and Meaning of the Week, by Eviatar Zerubavel

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"Days, months, and years were given to us by nature, but we invented the week for ourselves. There is nothing inevitable about a seven-day cycle, or about any other kind of week; it represents an arbitrary rhythm imposed on our activities, unrelated to anything in the natural order. But where the week exists—and there have been many cultures where it doesn't—it is so deeply embedded in our experience that we hardly ever question its rightness, or think of it as an artificial convention; for most of us it is a matter of 'second nature.'

  • Sales Rank: #1461777 in Books
  • Published on: 1989-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .56" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 220 pages

About the Author
Eviatar Zerubavel is professor of sociology at Rutgers University. His books include Hidden Rhythms: Schedules and Calendars in Social Life and Patterns of Time in Hospital Life: A Sociological Perspective.

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0 of 0 people found the following review helpful.
Four Stars
By dbze
Had to read it for school, interesting if a bit dry for sure.

0 of 1 people found the following review helpful.
erudite eloquent writing
By Oun K.
Well written, intriguing, informative. Well worth to spend your reading time every minute of it, if you want to know something about this ubiquitous human experience we call "week", which is strangely ingrained in our psyche.

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Minggu, 16 Desember 2012

[R382.Ebook] Ebook Origo, Stepping Stones. Core Mathematics, Student Journal. Grade 5

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The Origo Stepping Stones program has been created to provide a smarter way to teach and learn mathematics. It has been developed by a team of experts to provide world-class math program.

  • Sales Rank: #645218 in Books
  • Published on: 2013
  • Binding: Paperback
  • 295 pages

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Rabu, 12 Desember 2012

[A358.Ebook] PDF Download Think, Play, Do: Innovation, Technology, and Organization, by Mark Dodgson, David Gann, Ammon Salter

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The innovation process is the most important of all business processes. Innovation is the means by which value is constructed and efficiencies are created. It is the source of sustainable competitive advantage. This book shows how the innovation process is changing profoundly. Part of the change results from the application of new technologies to the innovation process itself. A new category of technology has emerged which we call 'innovation technology'. This includes simulation and modeling, visualization and economical and ameliorates some of its uncertainties. These technological changes are accompanied by changing organization structures and skills requirements. The technologies are used in fast moving, creative environments and are suite to project-based organization. They also require the development of new 'craft' skills to realize the possibilities created by the new 'code'. The book outlines a new way of thinking about innovation. Traditional definitions of 'research', 'development' and 'engineering', imply a progressive linearity which doesn't exist in reality. They are also associated with organizational departments, which are breaking down where once they existed, and are in any case non-existent in the vast majority of firms. They also fail to capture the central importance of design in innovation. We propose a new schema for the innovation process: Think, Play, Do. Innovation requires creating new ideas and thinking about new options, playing with them to see if they are practical, economical and marketable, and then doing: making the innovation real. This new schema captures the emerging innovation process using a more contemporary idiom. The book reports in-depth studies from a number of companies and sectors. Major case studies of Proctor and Gamble and Arup Partners are presented. It reports on the use of innovation technology in a range of other companies and organizations, from pharmaceuticals in GSK, to engineering design in Ricardo engineering, and welding in TWI. We describe how innovation technology is used in traditional industries, such as in mining, and in public projects, such as the development of London's traffic congestion charge and the stabilization of the leaning tower of Pisa.

  • Sales Rank: #2260308 in eBooks
  • Published on: 2005-09-15
  • Released on: 2005-08-23
  • Format: Kindle eBook

Review
`Managing innovation strategically is increasingly important; this new perspective on how to enhance innovation by informating it and iterating it, using innovation technology, information and communication technology, and operations and manufacturing technology is thought-provoking and informative, with excellent examples and quotes from those actually using these technologies in the new ways described. While I might prefer more on the service businesses that are so ubiquitous, in a sense the entire book is about 'services' - the informated services of innovation. A brief review simply doesn't begin to do justice to this interesting book: go read it! ' Technovation

`The book undoubtedly benefits from a very rich research base which is drawn from years of collaboration amongst the authors, all of whom are experts in their field.' Building Research and Information

`Managing innovation strategically is increasingly important; this new perspective on how to enhance innovation by informating it and iterating it, using innovation technology, information and communication technology, and operations and manufacturing technology is thought-provoking and informative, with excellent examples and quotes from those actually using these technologies in the new ways described. While I might prefer more on the service businesses that are so ubiquitous, in a sense the entire book is about 'services' - the informated services of innovation. A brief review simply doesn't begin to do justice to this interesting book: go read it! ' Technovation

`Every once in a while a book comes along that does a good job of pulling a varied array of elements into a coherent, useful whole. That is the accomplishment of this book, which, despite the simplicity of its title, deals with the complexity of the product innovation process as it applies across a broad spectrum of projects.' Journal Product Innovation Management

About the Author
Mark Dodgson is Director of the Technology and Innovation Management Centre at the University of Queensland Business School, University of Queensland, Visiting Professor at the Tanaka Business School, Imperial College London, and is an International Fellow at the Advanced Institute of Management Research in the U.K. . He was previously Executive Director of the National Graduate School of Management at the Australian National University. Mark has lecutured and researched widely trhoughout Europe, North America, Asian, and Latin America, and has been an invited participant at international conferences in over 35 countries. He has been an advisor and consultant to many European Commission Programs and to numerous U.K., U.S., European, Asian, and Australian government departments and agencies. David Gann is Head of Entrepreneurship, Innovation and Technology Management at the Tanaka Business School, Imperial College London. David holds the Chair in Technology and Innovation Management and co-directs the Imperial College Innovative Manufacturing Research Centre. He is responsible for a large portfolio of research involving collaboration with firms in design, manufacturing, engineering, construction, I.C.T. services and healthcare industries. His research interests include the intensification of innovation, use of simulation and modeling in innovation processes, and managing innovation in project-based firms. He consults with several leading companies and is an advisor to governments and industry organisations. He previously held the Royal Academy of Engineering Chair in Innovative Manufacturing at the University of Sussex. Ammon Salter is Senior Lecturer in Technology and Innovation Management at the Tanaka Business School, Imperial College London. He is the author of several reports and articles on the sources and determinants of innovation. He was the author of the C.V.C.P./H.E.F.C.E. Report on 'Talent, Not Technology', exploring the relationship between publicly funded research and innovation in the U.K. . He has worked for H.M. . Treasury on a report on the economic benefits of basic research, and was the co-author of the Russell Group of Universities report 'Measuring and Mapping Third Stream Activities'. He is currently a member of the D.T.I's Project Board for the development of the 4th U.K. Innovation Survey.

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Kamis, 29 November 2012

[V844.Ebook] Ebook The Birth of Bebop: A Social and Musical History, by Scott DeVeaux

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The Birth of Bebop: A Social and Musical History, by Scott DeVeaux

The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement.

DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period.

Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon.

In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.

  • Sales Rank: #183420 in Books
  • Published on: 1999-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.23" w x 5.98" l, 1.82 pounds
  • Binding: Paperback
  • 587 pages

Amazon.com Review
According to Scott DeVeaux, who has been called the Bud Powell of jazz historians, no single, completely inclusive definition of jazz exists; all that remains to define it is its vigorous evolution. Accordingly, jazz historians are "obsessed with continuity and consensus, even--perhaps especially-- when the historical record suggests disruption and dissent." Bebop, such a self-effacing, clownish term that in no way suggests the complexities of its sounds and rhythms, would become synonymous with a whole new musical sensibility, thought by some to herald nothing less than a revolution. DeVeaux succumbs neither to the evolution nor revolution analysis, but creates an intricate historical weave that sets bebop in the broader social and political contexts.

Bebop burst onto the scene more than evolved out of it. Sundry other forms, musical and literary, also blew the minds of cultural conservatives; modernism was born, exemplified by James Joyce and Arnold Schoenberg. But, unlike literature and classical music, jazz before 1945 enjoyed no such classical standing. It was a form utterly dependent on and responsive to its audience. Suddenly, that relationship was reversed; jazz became avant-garde, newly inaccessible. DeVeaux offers the reader myriad such connections, asking questions that have large cultural repercussions in the artistic and commercial realms. What happened, for example, when the gap between composers and performers closed; who, then, would "own" the music; what was the impact of improvisation, the backbone of the form, on the recording industry?

Not written for the casual jazz fan (although certainly a highly readable chronicle of popular, midcentury culture), The Birth of Bebop combines the historian's breathtaking overview, the scholar's insistence on detail, and first-person accounts of such greats as Dizzy Gillespie and Billy Eckstine. The oral histories and in-depth analyses of jazz compositions edge bebop beyond its usual treatment; DeVeaux presents a more encompassing, more exciting argument than the more typical evolution/revolution theories. By addressing the impact of bebop on the commercial, political, and aesthetic aspects of American culture, DeVeaux reveals it in all its richness--as artistic movement, cultural ideology, and commercial breakthrough.

From Library Journal
DeVeaux (music, Univ. of Virginia) provides a fresh look at the social forces that helped foster bebop jazz. Concentrating on the years from the late 1930s through 1945, he first examines the growth of a national music market, which helped generate mass hysteria over big bands and their leaders. The second section describes such societal factors as the postwar economic slump, ongoing racism, the beginnings of the Civil Rights Movement, and the rise of small venues for performance as reasons for the shift from an interest in big bands toward more specialized music, including small combo jazz. The last section discusses the popularity among jazz aficionados of virtuosos such as Charlie Parker and Dizzy Gillespie, who deserted big bands for small combo bop improvisation. Despite some unnecessary music theory, the author has successfully presented a compelling rationale for bop as both an evolution and a revolutionary break from the musical past. Recommended for anyone interested in jazz or America during the war.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
DeVeaux (Music/Univ. of Virginia) puts bop into a historical, social, and economic context, using oral histories and musical analyses as well as period materials to examine an epochal shift in the jazz paradigm. Bebop, DeVeaux argues, is the the fulcrum on which jazz history turns. More than that, he adds, it is the ``shadowy juncture at which the lived experience of music becomes transformed into cultural memory,'' as the last witnesses to the changes in the music die off. Did bebop represent an evolutionary stage in jazz history or a revolutionary rupture? For the author the answer is not so clear-cut as the question implies. He constructs a richly researched and densely constructed history that tries to understand the development of bebop as the result of musical decisions, economic pressures, and the uniquely American nexus of cash and race. He begins by tracing the career of Coleman Hawkins, an astute choice, because Hawkins was one of the first jazz musicians to expatriate himself to Europe for a significant period, the first great tenor sax soloist jazz produced--an innovator and one of the first to embrace the new sounds. Equally important, at the height of the big-band period, Hawkins thrived as a freelancer, thereby pointing the way for the young rebels to come. Of course, it is Charlie Parker and Dizzy Gillespie who are most closely identified with the rise of bop, and DeVeaux gives them full treatment, but one of the strengths of this excellent book is the attention it devotes to the life of the working musician, to the exigencies of the road and the economics of making music as they impacted the less-fabled players. At a time when shrill controversy is raging throughout jazz criticism and historiography, this measured, thoughtful, and exceptionally well-documented volume is a welcome antidote. Although there are extensive and highly technical musical analyses, the less sophisticated jazz fan will find much here to prize as well. -- Copyright �1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

8 of 8 people found the following review helpful.
entertaining, interesting, authoritative
By Ian Muldoon
It's hard to explain the excitement a 13 year old had on first hearing Dizzy Gillespie's THINGS TO COME on Side A and TWO BASS HIT on Side B. Or for that matter, as a 25 year old, on hearing KUSH from AN ELECTRIFYING EVENING WITH DIZZY GILLESPIE relayed on the VOICE OF AMERICA by Willis Conover. Undoubtedly there was something electrifying about the music which Mr Deveaux suggests had a "sense of frustration embedded in its core" p.446. Certainly, it was a musical world away from that of the great Thomas Fats Waller for example whose genius was usually sublimated beneath jumping and jive. It was SERIOUS music and demanded attention. This fine book by Mr Devaux puts the evolution of this revolutionary music in context and inspires one to revisit many of the records including those who inspired the great John Coltrane - Louis Jordan and his Tympany Five. It is also of interest to musicians, musicologists, sociologists, historians but as a general reader who loves America's classical music - called jazz - it is a very fine read indeed and about the best book I own on Bebop.

16 of 19 people found the following review helpful.
Bebop Matters
By A Customer
The nomenclature "Bebop" referring to an extension of American jazz development is, in itself somewhat unfortunate. It is not surprising that many of the musicians at the core of the movement hated the phrase "Bebop" themselves. The jokey sound of the word tends to trivialize the significance and the integrity of the music to which is referring. We tend to think of Bebop as an amusing, but irrelevant, phase of the urban jazz scene. The contribution of Bebop to musical development is both pervasive and irreversible.
Scott DeVeaux's book, "The Birth of Bebop" takes on squarely the issue of the Bebop's place in American music and in America's cultural development of the middle of the 20th-century. He has made excellent use of first-hand accounts, anecdotes, and obscure or original recordings to bring this story to life. He has applied an academic's discipline to documentation of his source material with a high degree of integrity. He achieves a remarkable balance between understanding and dealing with the details of the musical construction in the context of the "race" environments of the 1930s and '40s
This was an important era of American history. In a sense, we would like to forget the gross cultural inequities of the time. There are not many tangible reminders around, although the cultural imprint is still here and not likely disappear in the near future. Fortunately, the music of the era, Bebop, is still accessible through CD re-issues and is continuing to influence modern musical performance right through to a saxophone-toting Lisa Simpson. A key value of "The Birth of Bebop" is to remind us of this continuing connection. This book helps us appreciate the courage and commitment of the proponent musicians exploring this new medium, particularly in the context of nearly-overwhelming daily obstacles in the form of American cultural "Jim Crow" mores and laws.
In a perfect World, this book would come with a companion CD filled with aural samples of the music Mr. DeVeaux discusses organized to illustrate his musical points. This short-coming means that the fullest appreciation of the author's points is only available to those with access to fabulous recording collections of the era or, even more remotely, those with sufficient age and musical memory to bring the musical notation to life.

21 of 23 people found the following review helpful.
Professor of Bop
By Meredith Brunson
I am a music major at the University of Virginia, particularly interested in jazz studies, and have had the pleasure of taking several classes under DeVeaux, in particular, one based on this book. DeVeaux's humor, in combination with his musical genius when it comes to the topic of jazz, is expemplified by this book. He explains the hayday of jazz as well as the transition from the swing era into the bop era with incredible detail. Special features in the book are vignettes into the lives of the great artists such as Hawkins and Parker. He compares the styles of several of the pioneers which causes further investigation on the part of the reader to trail the modern jazz progression from the 1940's and 50's on into today. If you've ever wanted to know why the cats play the way the do and how jazz moved from big band swing clubs into bebop jam sessions, this is the author you're looking for.

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Senin, 26 November 2012

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Technology, Management and Society, by Peter Drucker

In this volume Drucker has collected twelve essays on technology and management and their relationship to, and interaction with, human society. In these essays the reader is able to grasp and savour some of the essential ideas and philosophy that have been expanded into Drucker's various books.


In this volume Drucker has collected twelve essays on technology and management and their relationship to, and interaction with, human society. In these essays the reader is able to grasp and savour some of the essential ideas and philosophy that have been expanded into Drucker's various books.

  • Sales Rank: #3063461 in Books
  • Published on: 2004-11-03
  • Released on: 1986-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .44" w x 5.43" l, .56 pounds
  • Binding: Paperback
  • 184 pages

About the Author
Born in Vienna in 1909, Peter F. Drucker was educated in Austria and England. From 1929 he was a newspaper correspondent abroad and an economist for an international bank in London. Since 1937 he has been in the United States, first as an economist for a group of British banks and insurance companies, and later as a management consultant to several of the country's largest companies, as well as leading companies abroad. Drucker has since had a distinguished career as a teacher, first as Professor of Politics and Philosophy at Bennington College, then for more than twenty years as Professor of Management at the Graduate Business School of New York University. Since 1971 he has been Clarke Professor of Social Science at Claremont Graduate School in California. In addition to his management books, Peter Drucker is also renowned for his prophetic books analysing politics, economics and society. These books span fifty years of modern history beginning with The End of Economic Man (1939) and including The Practice of Management; Innovation and Entrepreneurship; Managing in the Next Society; Management Challenges in the 21st Century; The Effective Executive and The Essential Drucker.

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Jumat, 23 November 2012

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Easy Spanish Reader w/CD-ROM: A Three-Part Text for Beginning Students (Easy Reader Series), by William Tardy

The fun and easy way to quickly enhance basic reading skills--now with CD-ROMs!

Easy Spanish Reader is based on the premise that the best way to learn a language is to start reading it, immediately. Suitable for the raw beginner to intermediate-level language learner, this book features engaging readings of progressive difficulty that allow you to rapidly build your comprehension. The additional CD-ROM contains recordings of more than 50 passages featured in the book, which can be used with a CD player, downloaded to an iPod or other mp3 player, or heard via computer where the text can simultaneously be viewed on screen.

  • Sales Rank: #38365 in Books
  • Published on: 2008-11-27
  • Ingredients: Example Ingredients
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .80 pounds
  • Binding: Paperback
  • 240 pages

From the Back Cover
Learn how to read in Spanish--starting right now!

The Easy Reader Series books are unique, easy-to-follow guides based on the premise that the best way to learn a language is to start reading it immediately! Whether you're a brand-new beginner or an advanced-beginning learner, the new editions of these popular titles give you ways to dive into the language with engaging readings that progress in difficulty to match your growing reading skills. This process will allow you to rapidly build comprehension and confidence as you enjoy the stories.

"Easy Spanish Reader "begins with the story of two high-school seniors involved with their Spanish Club. As you read about their experiences, you'll discover the nuances of language and culture right along with the students.

The next section contains a colorful history of Mexico, from the Conquistadors to the present, including vivid depictions of Cortes's encounters with the Aztecs. The last section is comprised of an abridged version of the classic story "Lazarillo de Tormes," which allows you to practice your grammar and vocabulary skills on a great work of Spanish literature. Progressive format makes it easy to quickly build comprehension Marginal word glossaries conveniently present new words and phrases Exercises challenge language comprehension and build reading skills Fully updated new editions, featuring expanded exercises and answer key

About the Author

William T. Tardy was a noted author and teacher. His original work has been revised and expanded by experienced authors.

Most helpful customer reviews

115 of 116 people found the following review helpful.
Walking Right Into Spanish
By Louis N. Gruber
Enrique and Maria are seniors at Glenview High School, learning Spanish and enjoying the activities of their Spanish club, los Aventureros. They have an enjoyable senior year, playing sports, going to movies, and even exchanging "e-mails" with students from Spain. As we say goodbye to Enrique and Maria their friendship is ripening into--well, maybe, something more. So, what will finally happen? You will just have to read the book to find out--in Spanish.

Two subsequent sections of the book comprise a brief history of Mexico--in full blood and gore--from the Aztecs to Vicente Fox; and a shortened adaptation of a classic 16th century Spanish work, Lazarillo do Tormes.

Easy Spanish Reader is based on the concept that you learn quickest by simply reading. The lessons are progressive so that you learn quickly, incorporating new words based on context. There are no tedious grammar lessons or vocabulary lists. No verb conjugations. Everything explains itself, except for a small number of marginal glosses for new vocabulary words. As other reviewers have noted, a certain rudimentary knowledge of Spanish is essential to use this book, but it can be minimal. The concept works, partly because English and Spanish share so many words and concepts. Exercizes after each lesson help to consolidate what has been learned.

The only flaw I could find is that the glossary at the back is incomplete. There are a few words you will just have to guess at. I enjoyed this book thoroughly, and I feel it has greatly enhanced my knowledge of Spanish. I recommend it highly. Reviewed by Louis N. Gruber.

0 of 0 people found the following review helpful.
Why you should invest in this book if you want to read Spanish
By Drew R.
[[VIDEOID:647d47998592b93f6d9e0e6dde82d30e]]Easy Spanish Reader is a book that is designed to help beginners learn how to read Spanish. One thing that really stands out about this book is that you will find yourself not only improving your ability to read Spanish but you will also notice that you are enjoying reading about the culture, history and literature of the Spanish speaking world. Another thing that stands out is that the book uses a progressive teaching format that allows you to gradually build your grammar and vocabulary skills with respect to speaking and reading Spanish.

The book is divided into 3 sections. The first section introduces you to two high school students involved with their school’s Spanish club. Maria and Enrique. Maria is from the U.S. and Enrique is from Spain. The objective of the first section of this book is to help you expand your knowledge of Spanish vocabulary and expose you to cultural and historical information while helping you to learn how to read in Spanish. In this section of the book, you’ll certainly improve your Spanish by reading more and more about these two teenage students attending Spanish club meetings, going to the movies and other activities that high school students are in involved in.

Section 2 is a section that I really enjoyed. The section consists of a brief history of Mexico. In this section, you will learn about famous personalities in Mexican history such as Cortez, Moctezuma, Miguel Hidalgo and Benito Juarez.'

Section 3 introduces you to reading Spanish literature by providing an abridged adoption of the classic story “Lazarillo de Tormes.” This is also my favorite section of the 3 sections. That’s because I found it to be the most challenging. And the challenge of reading Spanish literature really increased my confidence with both reading and speaking Spanish.
One thing that I found really helpful about this book is that each reading passage is followed by a short quiz. (There’s an answer key at the end of the book). And after every five or six reading passages, the student is given a “repaso” (review) to reinforce the newly learned Spanish. Instead of the typical question and answer exercises found in most learning-Spanish books, the review exercises also consist of fun methods to test your knowledge of the Spanish language. For example, in the first section of the book, you will find lots of “crucigramas” (crossword puzzles).

There are also word glossaries in the margins of the book which help define your newly acquired vocabulary words. This feature was very helpful because it helped save me time and avoid the distraction of having to look up some of the words in a dictionary.

You will find also find lots of interesting drawing or pictures in Easy Spanish Reader that will help expand your knowledge of the history and culture of the Spanish speaking world. For example, there are pictures of a famous cathedral in Mexico city, the pyramids that were built by the indigenous people of Mexico, Aztec art, paintings of Hernan Cortes, drawing of Moctezuma, painting of Benito Juarez, etc.
I also found it quite helpful that this book has an 18-page “Vocabulary” section which lists a lot of the vocabulary words that you will be learning with this book.

The books does not contain complete translations of the reading passages. Although some people may not agree with me, I think it was helpful not having complete translations in the book of the reading passages. By not having the complete translations of the reading passages, it required me to “think” in Spanish instead of trying to translate in my head. And since the reading material sometime required me to look up words that I did not know, this may have helped to reinforce the new Spanish words and phrases that I learned with this book.

Besides the fact that I learned so much about Mexican history and Spanish literature, another thing that I love about this book is that it comes with a CD-Rom. You can use the CD-rom with your laptop computer to listen to the audio from the book. The disk also has a feature that lets you download the mp3 files from the disk. This allows me to listen to the audio on my smartphone and improve my Spanish while enjoying learning about Mexican history and Spanish literature.

Before I end my written review, I want to give you a helpful tip to help you get the most out of this book. Read the passages in the book out loud in the presence of a native Spanish speaker. Ask him or her to correct any words that you incorrectly pronounce. I have tried this on the advice of a friend who teaches Spanish at a university, and I think that this technique has really helped to improve my Spanish pronunciation.

In closing, I want to leave you with a list of my favorite three learn-Spanish products available here at Amazon:

1. Easy Spanish Phrase Book: Over 770 Basic Phrases for Everyday Use (Dover Large Print Classics). Easy Spanish Phrase Book - This is an economically priced, handy resource that easily fits into my back pocket. You can conveniently take it anywhere with you when vacationing in a Spanish speaking country in order to have more than 700 phrases in your Spanish-vocabulary arsenal. And unlike so many learning-Spanish books, there is also a section called "Computers and Technology" where you'll find Spanish vocabulary related to modern technology.

2. Learning Spanish Like Crazy Level 1 CDR - w/ Super Bonus Package - Learn Spanish & Speak Spanish - New & Improved for PC/Mac - Free Updates for 1 Yr LSLC - This is my favorite audio Spanish program because the program focuses on everyday, Latin American Spanish. It's geared toward the foreign-language learner who wants to eventually achieve fluency in Spanish instead of someone who just wants to learn a few travel phrases. Compared to the other programs that I have used, this one does the best job at teaching you how to develop an authentic sounding Latin American Spanish accent. The program also comes with a very impressive bonus package.

3. 501 Spanish Verbs with CD-ROM and Audio CD (501 Verb Series) 501 Spanish Verbs - If you think you can accomplish fluency in Spanish as an adult without mastering conjugating Spanish verbs, you are only fooling yourself. This book is an absolute essential resource for learning how to conjugate Spanish verbs.

If you have any questions about Easy Spanish Reader, please post your questions below and I will do my best to answer your questions.

27 of 27 people found the following review helpful.
Good intermediate practice with a nice computer CD. A bargain for extra practice!
By D. Batt
I own this product, use it, and enjoy it. With the CD, it is certainly a bargain at less than $15. The CD is a computer CD and is best used by installing. I don't know why the description indicates that it can be used in any CD player as this doesn't seem to be the case. The book cover does not indicate this. The program does a good job with voice, on screen transcription, and answers. The CD is not required after installing. You can also extract the mp3 files via the installed program and install to an mp3 player. Per other review, the second of the three sections is not on the CD...strange.
I really enjoy practicing with complete, conversational passages and not just random sentences as textbooks usually do. This is not a beginner's learning book and CD but it is good practice for the intermediate learner. The passages become increasingly advanced. Each passage has definitions on the same page for words and idiomatic phrases that are less well known. Though there is a decent vocabulary in the back of the book, I didn't have to reference it for several passages.
There are no explanations of any grammer. You should be able to recognize most grammer use such as reflexive verbs, subjunctive tense, etc as they are used without explanation. If you are also to the stage in your Spanish study that you know most of the grammar rules but want more practice with text, then you should also enjoy this book and CD.
Yo he aprendido mucho de este libro con CD. Puedo recomendarlo, sobre todo cuando cuesta menos de 15 d�lares.
PS The more I work with it, the more I like the practice. It is a 5 star bargain for intermediate practice, for sure.

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Easy Spanish Reader w/CD-ROM: A Three-Part Text for Beginning Students (Easy Reader Series), by William Tardy PDF
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Easy Spanish Reader w/CD-ROM: A Three-Part Text for Beginning Students (Easy Reader Series), by William Tardy PDF
Easy Spanish Reader w/CD-ROM: A Three-Part Text for Beginning Students (Easy Reader Series), by William Tardy PDF